Through flashbacks, we learn how Bennet joined The Company, how he and Claude were partners, how he turned Claude in, and how he adopted Claire. Back in the present, Matt and RadioTed take the Bennets hostage, Claire gets shot, and Eric Roberts shows up to help RadioTed go nuclear. Claire sedates RadioTed and saves the day, but Boss Roberts is peeved that no one told him about Claire’s insta-heal power. To protect Claire, Bennet orders the Haitian to wipe his memory, take Claire and run. A 100-word summary can’t begin to convey how brilliant this episode is.
Peter learns to control his powers. Daddy Bennet starts firing tasers and Claude bails. Peter blames Isaac for messing everything up and Isaac accidentally puts a couple of bullets in Simone. In other news: Claire tells Daddy Bennet what a bad man he is, Mohinder and Sylar meet a mechanic with super-hearing, Hiro tells Ando to go back to Japan, and RadioTed and Matt team up to take down Daddy Bennet. I’d use words like ‘phenomenal’ and ‘jaw-dropping’, but it’s pretty much a given that this one’s a masterpiece.
Matt gets a security job. This leads to a shoot-out with Jessica and Matt pocketing $2m in diamonds. Claire wants to meet her bio-dad, but Meredith’s not so keen after blackmailing $100k out of him. Mohinder and Sylar track down a guy who liquefies solid objects. Sylar gets there first, scalps him and takes his place. And Ando helps a showgirl retrieve a bag. The Matt and Niki stories speed up, Mohinder becomes central to the plot, and Claire’s search for her bio-parents comes to a tragic resolution. The disappointment is Hiro’s thread, which comes to a total standstill.
Claude begins training Peter. This involves cynicism, theft and a thirty-storey fall off a rooftop. Isaac’s working for Daddy Bennet, who’s busy trying to stop Sylar from killing his family. Claire’s in no immediate danger, though, because she’s in Kermit meeting her firestarter bio-mom. Claire doesn’t know, but her bio-dad turns out to be Nathan. In other news: Papa Sulu lets Hiro return to his mission, and Jessica walks out of prison. Despite one or two flaws, this is an intensely dramatic and fast-paced hour, and as close to perfect as the show gets.
Welcome back to HeroSite.net!
Back in the day, this one of the main destinations to find news and spoilers related to the NBC series Heroes. The best part, of course, was the reviews section from Otto Berkeley — and now, that entire archive exists here.
But most importantly, this is a place where we can revisit that show where the ordinary became extraordinary, where cheerleaders were saved in order to save the world… the world of Heroes.
Now, more than four years after Hiro’s last “YATTA!” NBC is bringing Heroes back, for a mini-series called Heroes Reborn. How about you stay a while and check out the news as it becomes available? And, of course, you’re all invited to come discuss Heroes on our forum. Yes, it still exists!
Hailed by many as being a great prelude to Heroes Reborn, the web series Dark Matters launched last summer and first introduced us to Quentin Frady and his sister, Phoebe.
Now, Dark Matters — which was produced by some good friends of ours — was nominated for a Webby Award, and this is YOUR chance to give them some support!
A year from now, this will all feel like a dream.
A dream Angela Petrelli didn’t think was important enough to share.
It will seem as if Heroes: Reborn, the 13-episode continuation of a show that saw its best days a decade ago, had never happened.
Weeks before Robert Greenblatt more or less announced the second death of Heroes, we should have known it was over.
And no amount of hashtags or other social media campaigns will save the day.
It was over the instant the promo following “11:53 to Odessa” announced the season’s final three episodes wouldn’t begin airing until a month later.
The final three episodes of a 13 episode “event series.”
It doesn’t matter what kind of show it is, “event” or not, you don’t go on hiatus before the final three episodes of season.
That is unless you cared more about “The Wiz: Live!” airing on Dec. 3.
When that episode awkwardly ended on a crane shot of CGI clones of a character with zero backstory swarming towards characters that hadn’t yet encountered ANY of the series’ main protagonists through 10 chapters and it was deemed a worthy enough moment to consider a cliffhanger, it was obvious.
NBC, and possibly the show’s brain trust, had lost interest in Heroes Reborn.
Sadly, so had I.
After 10 episodes, watching Heroes – a weekly activity I was considered a Godsend – had mutated into a chore. Outside four key episodes, it felt like I wrote about the same thing every week.
Not once was has there been a moment that transcended the show’s core fan base and lit up social media and launched a thousand think pieces.
I barely cared about characters, and when I did, they were the characters I had become invested in as a sophomore in high school 10 years ago. Even then, those characters never stayed for more than two episodes and their fates were ambiguously sealed off screen.
For a 13-episode season, anything rarely felt at stake.
Whether through writing, editing or a complete lack of an engaging score, nothing made me care about the awkwardly named “H.E.L.E..” It wasn’t until the final scene of “Send in the Clones” – an episode where its namesake was killed off by a character that didn’t actually exist – as three cars drove through the night toward Odessa with mileage totals placed on them that the show’s endgame had the slightest sense of genuine importance.
It’s a feeling Heroes hadn’t evoked properly since Sylar stood atop a building at the end of “Landslide,” the penultimate episode of Volume 1, and whispered “Boom.”
I don’t believe my attitude toward Heroes’ demise is because I’ve become cynical. The season’s first two episodes and the “June 13th” two-parter, directed by Matt Shakman and series veterans Greg Beeman and Allan Arkush respectively, had everything a great episode of Heroes could ask for.
But then there’s the rest.
While Noah Bennett, the absolute best choice to anchor the show’s rebirth around, carried the show, we found out that Tommy (AKA Nathan) was a far more interesting character before his mind was wiped.
Casper, the show’s only other interesting new creation, along with his pennies, was shot in the head before we learned anything of note about him. The same can be said about Harris, who lost his head.
We were given characters with powers that didn’t make any sense within the universe that had been presented to us through four previous seasons.
We were given a villain in Erica Kravid that with two episodes left we still don’t know what’s truly fueling her master plan.
Truthfully, there were too many characters to care about and depending on how the final two hours play out, more episodes than the story asked for.
But then I have to step back for a moment.
Heroes isn’t unique anymore. When it debuted in 2006, the only real competition it had was Smallville, which was in its sixth season on a smaller network and had already carved out the audience that would carry it through to its conclusion five years later.
When Heroes originally ended in 2010, all of its current competition: Arrow, The Flash, Agents of SHIELD, Agent Carter, Gotham, Daredevil, Supergirl and Jessica Jones, were still years away. Marvel’s cinematic universe was only two movies old.
Now it’s 2016 and this feeling of finality we’ve been given is one I would have done a lot to have five years ago. We watched Claire Bennett jump off a Ferris wheel and out what we now call EVO’s to the world. Then the screen cut to black and its familiar “To Be Continued” graphic.
We waited to know if the story would continue for weeks. Then hope fizzled out.
There will be no toying with our emotions come next Thursday. I will be prepared and ready for “The End” to come on screen and declare Heroes over and done with.
I won’t be bitter. Hopefully, it will be sweet.
However, in a world where Netflix, Amazon or Hulu exist and regularly save once failed shows from extinction, finality, natural or not, is never a given.
But I’m still glad we were given Heroes Reborn.
Disclaimer: The thoughts and opinions of Daniel McFadin are his own and do not necessarily represent everyone involved with HeroSite.net.
The title of the penultimate episode of Heroes Reborn evokes memories of the classic favorite “Company Man.”
“Company Woman” is the title, and it airs on Thursday, January 14. Here’s the description.
ERICA KRAVID’S HAUNTING PAST IS REVEALED AS THE EXTINCTION OF HUMANITY LOOMS CLOSER — GREG GRUNBERG AND NOAH GRAY-CABEY GUEST STAR – As the end of civilization quickly approaches, Erica (Rya Khilstedt) sets her startling survival plan in motion with the help of Tommy (Robbie Kay). Malina (Danika Yarosh) races to unite with Tommy and is joined by Luke (Zachary Levi) while Quentin (Henry Zebrowski) and Phoebe (guest star Aislinn Paul) plot against them. Meanwhile, Matt Parkman (guest star Greg Grunberg) has plans of his own to ensure the safety of his family that might put Taylor (guest star Eve Harlow) in mortal danger. Ryan Guzman, Judi Shekoni and Gatlin Green also star. Lucius Hoyos, Nazneen Contractor, Krista Bridges, Toru Uchikado and Hiro Kanagawa also guest star.
NBC has released an official description for the January 7 return episode of Heroes Reborn.
Find it below, complete with new spoilers
TENSIONS ARE HIGH AS THE EXTINCTION OF HUMANITY APPROACHES — GREG GRUNBERG, JIMMY JEAN-LOUIS AND NOAH GRAY-CABEY GUEST STAR — Following Noah’s mysterious disappearance, Luke (Zachary Levi) and Malina (Danika Yarosh) unite to rescue Tommy (Robbie Kay) and save mankind. At the mysterious Sunstone Manor, Carlos (Ryan Guzman) and Farah (guest star Nazneen Contractor) fight alongside The Haitian (guest star Jimmy Jean Louis) to take down Matt Parkman (guest star Greg Grunberg) and free the prisoners under his control. Meanwhile, Tommy and Miko (Kiki Sukezane) join forces against Erica (Rya Khilstedt) and her brutal plan for the future. Judi Shekoni, Henry Zebrowski and Gatlin Green also star.
When the universe gives you something, it (or a writing staff) won’t hesitate to pull the rug out from beneath you in another aspect of your life.
The time travel shenanigans of the “June 13th” saga set in motion events that ensured The Haitian, a friendly and familiar face on Heroes would more or less be brought back to life.
In his place, the universe took away Casper, someone we barely knew and I desperately want to find out more about.
Noah Bennet has experienced both sides of this universal practice three times in as many episodes.
He learned his daughter died while giving birth to twins. He’s then reunited with one of them in the present as a teenager. Nathan is then kidnapped by Quentin “butterfly” Frady, before being reunited with the other twin, Melina.
The Quentin reveal to Noah took me off guard. I was expecting the subterfuge to last one more episode, at least to get a feel for how this version of Quentin kept Noah fooled for so long. Because in every scene with Quentin in “Sundae, Bloody Sundae,” he couldn’t have been more sinister.
Speaking of sinister, I wasn’t expecting it, but Joanne connecting with Harris makes almost complete sense. I say almost because Joanne’s storyline never indicated it would ever merge fully with the Renautas story arc.
And now that I’m thinking about it, imagine what Joanne will do if she were to find out that it was Renautas, with Harris and his clones, that was responsible for the bombing in Odessa? I’d like to see one scene before the end of the season where both Harris and Joanne get their comeuppance. Harris for helping hunt down his own kind – like what happened to Dearing thanks to Matt Parkman – and Joanne for obvious reasons.
She’s killed a lot of people, but putting a bullet between Casper’s eyes was the last straw.
As a whole, I liked “Sundae, Bloody Sundae.” But anything less than a masterpiece was going to feel like a letdown in comparison to “June 13th.”
It was a highlight to see Greg Grunberg play a Matt Parkman reminiscent of the one we saw all the way back in “5 Years Gone.”
As a result we got to experience some heightened “mind games,” which felt right at home in an episode that also featured time being stopped.
These mind games were played on Carlos, who has STILL not interacted with a main character on the show. That seriously has to happen soon. And with Matt working for Renautas, I expect some sort of face-to-face with Erica.
The episode’s conclusion, which shows Miko somehow walking around the desert almost 5,000 years in the future, is slightly off putting in how it’s executed.
The moment felt like a preview for next season (if there is one). There was no natural transition into it and it played out like the Volume previews we got at the end of each season on the original show.
It looked great and the presence of Miko raises a bunch of questions, but it seemed tacked on, even though the possibility of the story taking us into the future was introduced in “Game Over.”
The episode would have benefited from ending on the visual of Nathan sitting across from Erica as she tries to court him to her side.
- “Is it safe for you to go back to the hospital?” I don’t know, is it safe for Nathan to be walking down Main Street in broad daylight with his girlfriend who probably hasn’t officially broken up with her original boyfriend? Don’t be that kind of girl Emily.
- Casper sounded like an old Baptist preacher in the moments before his death and not in a cheesy way. Casper seems like a character that has a lot of guilt and who took pleasure in helping others lose theirs when the opportunity arose.
- When Taylor is snatched by The Haitian’s friends, I loved the decoration of the underpass. Faces of people who have been “detained,” “abducted” or are “deceased” line the wall.
- What in the world is Erica’s chef working on in her kitchen?
- Carlos’ nephew returns! And I still don’t care about him.